Indigenous Ownership, Control & Identity in Film & TV Music

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By Michael Raine, NWC, and Canadian Musician Magazine. Discovered by Player FM and our community — copyright is owned by the publisher, not Player FM, and audio is streamed directly from their servers. Hit the Subscribe button to track updates in Player FM, or paste the feed URL into other podcast apps.

On this week’s podcast, Mike has a great chat with Nigel Irwin, a Toronto-based Cree composer/artist who is also the co-creative director of Nagamo Publishing. Nagamo is the world’s first Indigenous-created production music library that spans all genres and nations. Its goal is to provide much-needed opportunities for Indigenous music creators to showcase their talents in the film and media industries. As this library continues to grow, Nagamo plans to also grow into the premier agency to connect with the leading Indigenous composers working today.

In this wide-ranging chat, Nigel discusses the need for companies like Nagamo in the industry and the history of non-Indigenous artists making Indigenous-seeming music for TV and movies. He also explains the discussions happening in Indigenous artistic communities about the right and wrong ways to incorporate traditional Indigenous elements into contemporary music, as well as issues of cultural appropriation within different Indigenous musical communities. He also explains the challenges many songwriters with transitioning to composing production music, how the commissioning and payments work, and more.

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